Forthcoming Concerts

Saturday 19 January 2019, 7:30pm
Peterhouse Theatre

Master Pianists III: RAFAŁ BLECHACZ

Generously sponsored by Mr David Kitson
Mozart
Sonata in A minor, K. 310
Beethoven
Sonata in A, Op. 101
Schumann
Sonata in G minor, Op. 22
Chopin
Four Mazurkas, Op. 24
Chopin
Polonaise in A-flat, Op. 53

In October 2005, Rafał Blechacz emerged as the unquestioned winner of the 15th Frédéric Chopin International Piano Competition in Warsaw (to underscore his distinguished performance among the remaining Competition participants, the international jury decided not to award the 2nd prize). Since this triumph, Blechacz has built an impressive reputation as a pianist of exceptional intelligence and spontaneity, combining flawless technique with a highly distinctive sense of musical poetry.

He has performed in the world’s most renowned concert halls, among them the Royal Festival Hall and Wigmore Hall in London, the Berliner Philharmonie, the Herkulessaal in Munich, Alte Oper in Frankfurt-am-Main, Liederhalle in Stuttgart, Konzerthaus in Vienna, Tonhalle in Zurich, Victoria Hall in Geneva, Concertgebouw in Amsterdam, Salle Pleyel in Paris, Palais des Beaux-Arts in Brussels, the Avery Fisher Hall in New York, La Scala in Milan, and Suntory Hall in Tokyo, to name but a few.

He has performed with some of the most distinguished orchestras under the direction of such conductors as Charles Dutoit, Valery Gergiev, Daniel Harding, Pavo Järvi, Fabio Luisi, Kent Nagano, Andris Nelsons, Viktor Pablo Perez, Trevor Pinnock, Mikhail Pletnev, Antoni Wit, and David Zinman.

Rafał Blechacz records exclusively for Deutsche Grammophon.

Saturday 2 February 2019, 7:30pm
Peterhouse Theatre

Master Pianists IV: LEON McCAWLEY

Beethoven
Sonata in E, Op. 109
Beethoven
Sonata in A-flat, Op. 110
Beethoven
Sonata in C minor, Op. 111

One of Britain’s foremost pianists, Leon McCawley has forged a highly successful career since winning First Prize in the 1993 International Beethoven Piano Competition in Vienna, building on his earlier success as Winner of the Piano Section of BBC Young Musician of the Year in 1990. Since then, McCawley’s impressive discography has established him as a pianist of great integrity and variety, bringing freshness and vitality to classical, romantic and twentieth-century repertoires. His recent CD of Haydn’s Sonatas and Variations for SOMM Recordings was awarded a Diapason d’Or in July 2017.

As a concerto soloist, McCawley performs with many of the world’s leading orchestras, among them the London Philharmonic, the Philharmonia, BBC Philharmonic, City of Birmingham Symphony, Dallas Symphony, Netherlands Philharmonic, the Philadelphia Orchestra, St Petersburg Symphony and Vienna Symphony and has worked with conductors such as Sir Mark Elder, Daniele Gatti, Paavo Järvi, Andrew Litton, Kurt Masur, Gianandrea Noseda, Sakari Oramo, and Sir Simon Rattle.

McCawley’s discography includes Schumann piano music (Avie Records) selected as Editor’s Choice in The Gramophone; the complete Mozart Piano Sonatas (Avie), awarded a Diapason d’Or; Barber piano music (SOMM), awarded Critic’s Choice in The Gramophone in 2011; Brahms piano music (SOMM), selected as Classic FM ‘CD of the Week’ in 2012; Schumann Piano Music (SOMM); Rachmaninov’s complete Preludes (SOMM); and many other major works.

Tuesday 5 March 2019, 7:30pm
West Road Concert Hall, Cambridge CB3 9DP

Master Pianists V: ARCADI VOLODOS, West Road Concert Hall, Cambridge

Schubert
Moments musicaux, D. 780
Schubert
Sonata in F minor, D. 625
Rachmaninov
Prelude in C-sharp minor, Op. 3, No. 2; Prelude in F-sharp minor, Op. 23, No. 1; Mélodie, Op. 21, No. 7 (arr. Volodos); Étude-tableau in E-flat minor, Op. 39, No. 5; Andante from the Cello Sonata in G minor, Op. 19 (arr. Volodos)
Scriabin
Mazurka, Op. 25, No. 3; Fragilité, Op. 51, No. 1; Flammes sombres, Op. 73, No. 2; Poème, Op. 71, No. 2
Scriabin
Sonata No. 5, Op. 53

Born in St Petersburg in 1972, Arcadi Volodos is amongst the most sought-after pianists of our day. Since making his New York debut in 1996, Volodos has performed throughout the world in recital and with the most eminent orchestras and conductors. Since his Gramophone Award-winning debut recital at New York’s Carnegie Hall, released by Sony Classical in 1999, Arcadi Volodos has recorded a series of critically acclaimed albums. These include revelatory interpretations of Schubert sonatas and Rachmaninov solo pieces, and live performances with the Berliner Philharmoniker of Rachmaninov’s Third Piano Concerto, conducted by James Levine, and Tchaikovsky’s First Piano Concerto, conducted by Seiji Ozawa. His Vienna Musikverein recital from 2010 was released on CD and DVD to rapturous international critical acclaim. Volodos Plays Brahms, released in April 2017 –  an album of thirteen piano pieces by Johannes Brahms, including Opus 117 and 118 and a selection of Op. 76 – was immediately considered a landmark on the music scene, and has since been awarded the Edison Classical Award and the Diapason d’Or.

He has worked with, among others, the Berliner Philharmoniker, the Israel Philharmonic Orchestra, the Philharmonia, the New York Philharmonic and Munich Philharmonic Orchestras, the Royal Concertgebouw Orchestra, the Dresden Staatskapelle, Orchestre de Paris, Leipzig Gewandhausorchester, Zurich Tonhalle Orchestra, and the Boston and Chicago Symphony Orchestras, collaborating with conductors such as Myung-Whun Chung, Lorin Maazel, Valery Gergiev, James Levine, Zubin Mehta, Seiji Ozawa, , Paavo Järvi, Christoph Eschenbach, Semyon Bychkov and Riccardo Chailly.

Piano recitals have played a central role in Volodos’s artistic life since he began his career. His repertoire includes major works by Schubert, Schumann, Brahms, Beethoven, Liszt, Rachmaninoff, Scriabin, Prokofiev and Ravel together with less often performed pieces by Mompou and de Falla. Volodos is a regular guest of the most prestigious concert halls of Europe and appears regularly in Berlin, Vienna, London, Amsterdam, Paris, Rome, Madrid, Zurich, Brussels, Munich as well as at the Klavierfestival Ruhr, the Festival La Roque d’Anthéron and the Salzburg Festival.

 

Friday 8 March 2019, 7:30pm
Peterhouse Theatre

DORIC STRING QUARTET

Generously sponsored by Mr and Mrs Adam Horne

Alex Redington, violin

Jonathan Stone, violin

Hélène Clément, viola

John Myerscough, cello

Haydn
Quartet in B-flat, Op. 33, No. 4
Britten
Quartet No. 3 in G, Op. 94
Schubert
Quartet in G, D. 887

The Doric String Quartet has firmly established itself as the leading British string quartet of its generation, receiving enthusiastic responses from audiences and critics across the globe. The Quartet performs in leading concert halls throughout Europe including the Amsterdam Concertgebouw, Vienna Konzerthaus, Frankfurt Alte Oper, Hamburg Laeiszhalle and De Singel, Antwerp, and is a regular visitor to the Wigmore Hall in London. In 2010 the Quartet made its highly acclaimed American debut with recitals at the Frick Museum in New York and Library of Congress in Washington, and now returns for annual tours to North America.

In 2009 the Doric String Quartet’s first CD was released to critical acclaim on the Wigmore Live label and was chosen as Editor’s Choice in The Gramophone. Since 2010, the Doric Quartet has recorded exclusively for Chandos Records. Its first CD, the complete Korngold String Quartets, was featured as one of the 2010 Critic’s Choice discs in The Gramophone and was followed by a CD of the Walton String Quartets which was nominated for a 2011 Gramophone Award. The quartet’s release of the Schumann String Quartets was named ‘CD of the Month’ in both The Gramophone and the BBC Music Magazine and was shortlisted for a 2012 Gramophone Award. Their most recent releases of Haydn’s Op. 20 Quartets and works by Janáček and Martinů have both gathered enthusiastic reviews across the board, with the Haydn disc being named Editor’s Choice by The Gramophone and shortlisted for a 2015 Gramophone Award.

 

Wednesday 8 May 2019, 7:30pm
Peterhouse Theatre

Master Pianists VI: PIOTR ANDERSZEWSKI

Programme to include:

Beethoven
Diabelli Variations, Op. 120

Piotr Anderszewski is widely regarded as one of the very greatest pianists performing today. In recent seasons he has given recitals at London’s Barbican Centre and Royal Festival Hall, the Wiener Konzerthaus, Carnegie Hall New York and the Mariinsky Concert Hall in St Petersburg. His collaborations with orchestra have included appearances with the Vienna Philharmonic, the Berlin Philharmonic, the Chicago and London Symphony Orchestras, the Philadelphia Orchestra and the Orchestra of the Royal Concertgebouw.

Piotr Anderszewski has been an exclusive artist with Warner Classics-Erato (previously Virgin Classics) since 2000. His first recording for the label was Beethoven’s Diabelli Variations, which went on to receive a number of prizes including a Choc du Monde de la Musique and an ECHO Klassik award. He has also recorded a Grammy-nominated CD of Bach’s Partitas 1, 3 and 6 and a critically-acclaimed disc of works by Chopin. His affinity with the music of his compatriot Szymanowski is captured in a highly-praised recording of the composer’s solo piano works, which received the Classic FM Gramophone Award in 2006 for best instrumental disc. His recording devoted to solo works by Robert Schumann received an ECHO Klassik Award in 2011 and two BBC Music Magazine awards in 2012, including Recording of the Year. Anderszewski’s latest disc of Bach’s English Suites Nos. 1, 3 and 5 was released in November 2014, going on to win both a Gramophone award and an ECHO Klassik Award in 2015. 

Recognized for the intensity and originality of his interpretations, Piotr Anderszewski has been singled out for several high-profile awards throughout his career, including the prestigious Gilmore Award, given every four years to a pianist of exceptional talent. Recent appearances include a highly regarded performance of the Mozart Piano Concerto in C, K. 503, with the Vienna Philharmonic at the 2018 Salzburg Mozart Week, and recordings of this concerto and the Piano Concerto in B-flat, K. 595, with the Chamber Orchestra of Europe, which was named as an ‘Editor’s Choice’ in The Gramophone magazine.